[PDF]Sounds Good - Methods Of Mayhem (1995) Tracklist

Analoops
Locoder
Drumb Beats
Ugly Loops
Atonalogue
Treated Guitars
Grind Control *
Tribal Disseldorf
Bass Guitar *
Mouth Control
Knob Control
Dirtscapes


Gain Control
Ground Control

Electro Harmonix Noise
Old School

Analogue Percussive
Misc. Drumb Sounds
Single Analogue Sounds
Shortcuts

LFO Fx

Old Control
Talk The Talk
Extra Roots Fx


* The BPMs on these sections are approximated.


-07 Analoops - Analogue Melody Lines
2 Locoder - Rhythmic Vocoding


Analoops!
ANALOOP O1A
ANALOOP O1B
ANALOOP 024
ANALOOP 028
ANALOOP 03
ANALOOP 04
ANALOOP 05
ANALOOP 04
ANALOOP 07
ANALOOP 8A
ANALOOP 088
ANALOOP 09


ANALOOP 10 A
ANALOOP 108
ANALOOP 1)
ANALOOP 12A_@
‘ANALOOP 128
ANALOOP 13
ANALOOP 14 &

Bey ANALOOP 154
ANALOOP 158
ANALOOP 16
ANALOOP 17
ANALOOP 18


ANALOOP 19A_
ANALOOP 198
ANALOOP 20
ANALOOP 21
‘ANALOOP 22
ANALOOP 23
ANALOOP 24
ANALOOP 25A_
ANALOOP 258 _
ANALOOP 26
ANALOOP 27
‘ANALOOP 28


ala lals|


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Locoder 1 08


VOCOBEAT 01
VOCOBEAT 02


‘Anaibops 5 06


ANALOOP 397A _
ANALOOP 398


Analoops 6
ANALOOP 49


ANALOOP 498.
ANALOOP 50


Elz] =


ANALOOP 40 VOCOBEAT OIA
ANALOOP At ANALOOP 51A I VOCOBEAT 038
ANALOOP ANALOOP 518 VOCOBEAT 04A


ANALOOP 43


ANALOOP 44 a


ANALOOP 52
ANALOOP 59
ANALOOP 54
ANALOOP $5
ANALOOP 546A
ANALOOP 568


=


VOCOBEAT 048 ¢
VOCOREAT 05A
VOCOBEAT 058 (5
VOCoBEAT OSC
VOCOBEAT 050 Ty,
VOCOBEAT 064
VOCOBEAT 068


ANALOOP 45
ANALOOP 46A


ANALOOP 448


ANALOOP 47


ANALOOP 48 ANALOOP 57


ANALOOP 304 _


B ANAL OOP 208


ANALOOP 348
ANAL0OP 35
ANALOOP 36
ANALOOP 37
ANALOOP 38


VOCOBEAT 07


VOCOBEAT 08A


VOCOBEAT 08¢
VOCOBEAT 080
VOCOBEAT OFA _
VOCOBEAT 078
VOCOBEAT 10
VOCOBEAT 11 @

VOCOBEATI2
VOCOBEAT 13


VOCOBEAT 14


: ] 3-20: Drumb, Beats ; Variotis Programmed find Processed Rbyth
Cy Ay A sb Ears Seppe ic ates ‘


Lo ie jest ie ae
LORS)


ypey_Locoder 4

VOCOBEAT 15 }VOCOBEAT 26 VOCOBEAT 35 BEAT 01

VOCOBEAT 16 _ VOCOBEAT 7A [ VOCOBEAT36A BEAT 02A

BEAT 028

AI GEAT o7c

VOCOBEAT 19 fe] VOCOBEAT 290 VOCOBEAT 373 EMG sear oan

VOCOBEAT 20 B Gavocosear 25 VOCOBEAT 36 BEAT 038

voco Bae VOCOBEAT 290 VOCOBEAT 39A

VOCOBEAT21B | if) voconear 30 VOCOBEAT 398

VOCOBEAT 31 VOCOBEAT 40


VOCOBEAT 18


VOCOBEAT 25


DrumbBeats 2


BEAT 178
BEAT 0A a a
BEAT 108 _ BEAT 30 BEAT 42
e] BEAT 11 BEAT BEATS
BEAT 32 BEAT 44
BEAT I3 mm) BEAT 45
pear BEATS BEAT 458


BEATISA Q 3 BEAT 35 BEAT 46
By BEAT 158


13-20 Dri mb Beats - Various Progtammed And Processed Rhythms
‘21423 Ugly Loops - Feedback And Noise Rhythms


‘24-26 Atonalogue - ai


Ugly Loops 1
| BEAT 65 UGLY 01


seaTss OM UGLY O2A Nf


BEAT 588 BEAT 67 UGLY @28


BEAT 50A


BEAT 508


BEATS8C BEAT 68S UGLY 02¢
BEAT 59 ‘BEAT 69 UGLY O3A
BEAT 53 BEAT 60 ‘BEAT 70A UGLY 038


BEAT 538 BEAT 61 BEAT 708 UGLY 04


BEAT 54 BEAT 62A a UGLY 054
BEAT 55 BEAT 628 BEAT 72 UGLY 058
BEAT 558 é BEAT 420 BEAT 73 [UGLY 06


‘BEAT 55C BEAT 63 BEAT 74
BEAT 56 BEAT 64 BEAT 75


Atonalogue 1


PM EM Gy uciy 19 ATONALOOP 01 ATONALOOP 12
UGLY 20 ATONALOOP 02 ATONALOOP 134


UGLY 09
UGLY 098
UGLY 10


UGLY 21 ATONALOOP 03 ATONALOOP 138
tan = ATONALOOP 04 ‘ATONALOOP 13¢
ueLY12, ‘ATONALOOP 05 ATONALOOP 14
UGLY 13 UGLY 22 ‘RTONALOOP 06 ‘ATONALOOP 158
voy. H UGLY 23A AToNALOoP O7 RES ATONALOOP 158
usiyIs EN EW fa) ucty 238 ‘ATONALOOP 084 ‘ATONALOOP 168


UoLy 16
UGLY 174
uoty 178
vol ta


EM Fe voiy 23c ATONALOOP 088 ATONALOOP 168
UGLY 230. | ATONALOOP ATONALOOP 16C
130] [s » mee ‘ATONALOOP 16D


‘ATONALOOP 16


UGLY 248


27-30 Treated Guitars - Heavily Processed Rite ‘
431 -34 Grind Control - Traditionally Distorted Guitar-Riffs And one


iio hag bniahictow

Atonalogue 3 POLLY Treat Guitars 1 “i
ATONALOOP 17 TREAT GUIT 01 B TREATGUIT 23
ATONALOOP 1BA TREAT GUIT 02 B02 dj TREAT GUIT 24

a TREATGUITOS i a AB treat curr 250

TREAT GUIT 04 cr ae TREAT GUIT 258

‘ATONALOOP 198 TREAT GUIT 05 TREAT GUIT 268
‘ATONALOOP 20 TREAT GUIT 06 fe) TREAT GUIT 268
[ATONALOOP 21 TREAT GUIT 07 iz
‘ATONALOOP 22 TREAT GUIT 08 | TREAT GUIT 28
‘ATONALOOP 23 “A Treat curt 09 Is Bohn TREAT GUIT 29
‘ATONALOOP 24A TREAT GUIT 10 TREAT GUIT 30
‘ATONALOOP 248 “il irear curr TREAT Gl TREAT GUIT31_
‘ATONALOOP 25 TREAT GUIT 12 ut 6


Treat Guitars 4
TREAT GUIT 33 RIFF OVA [mi fio es
TREAT GUIT 340 RIFF 01B RIFF 26
Seance pane :
TREAT GUIT35 | RIFF 02 3
TREAT GUIT 36 RIFF 03 (ON CG ire 27
TREAT GUIT 37 RIFF 04 Eo) RIFF 16 6/8 El rare 20a
TREAT GUIT 38 RIFF 05 (LICK) a RIFF 17 7/8 RIFF 288
TREAT GUIT 39 RIFF 06 Gy RIFF ie RIFF 2?
i RIFF 07 Be) rire 19 RIFF 30
RIFF 08 (LICK) fo] RIFF 20 (LICK) Lick 31
RIFF 0? R RIFF 324
RIFF 10, RIFF 22 | RIFF 328


31-34 Grind control - traditionally distorted Guitar-Riffs And -Licks
35-37 Tribal DUsseldorf - Fiuristic Beats With A Tribal Touch
38 Bass Guitar’ - pistortea Basslines


x


Trib, Diis


DOSSEL OIA
DOSSEL 018

RIFF 35 BENS CONE o0sset orc _ DOSSELOS

RFF 38 E DOSSEL G2A DOSSEL 07

RIFF 37 E DOSSEL OBA

RIFF 38 3 DOsseL 098

RIFF 39 DOSSEL 020 DOSSEL 08c

RIFF 40 DOSSEL G3A EM Gey 00sse1 07 374

eval FIG Pl ovssc. oo BOSSeL 18


LICK 42 DOSSEL O4A DOSSEL 11A


RIFF DOSSEL O48 DOSSEL 118


RIFF 44 fey OOSSEL o4c Bey DOSSEL 11¢


DOSSEL 14 3/4

DOSSEL 15 3/4

[Ddssi

DOSSEL 17 3/4

DOSSEL 18A 3/4

DOSSEL 188 3/4
fy DUSSEL 19


DUSSEL 204 3/4


DOSSEL 208 74


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Throatbeats 2


OVERDRIVE 01 THROATBEAT 01 THROATBEAT 12
‘OVERDRIVE 02 THROATBEAT 02 BY THROATBEAT 13


DRiVE oF THROATBEAT 03 THROATBEAT 14
ORIVE 02 THROATBEAT 04 | THROATBEAT 15 —_
DRIVE 03 USH OF THROATBEAT 05 THROATBEAT 16
OVERTONE 01 BRUSH 02 THROATBEAT 05 #] THROATBEAT 17
OVERTONE 02 GRUSH 03 THROATBEAT 07 THROATBEAT 18
MUFFLE BRUSH 04 THROATBEAT 08 THR AT
— BRUSH 05 THROATBEAT 9A _ THROA
BRUSH OS BF) THROATBEAT 096 THROATBEAT 21


SOUEAK DRIVE BRUSH FILL O1 THROATBEAT 10 THROATBEAT 22
WEAK DRIVE BRUSH FILL 02 THROATBEAT 11 THROATBEAT 23


40-43 Mouth Control -s08-Patterns and Synth Riffs Through The, Bolden
44 Knob Control - + Long Analogue Sequences With VCF Chathges T
45~ 47 Dirtsca ett Noisy Aimospheres And Backgrounds


i i: 49:6; Gain-co trol Fecuate


THROATLINE 0 KNOB O1A JB scare ot
THROATLINE O2A_ KNOB 018 SCAPE 02
THROATLINE 028 i KNOB 02A SCAPE 03.
THROATLINE 034 Kno 028 ‘SCAPE 06
THROATLINE 038 KNOB O3A SCAPE 05_
THROATBEAT 28 THROATLINE 03¢ KNOB 038 SCAPE 06
THROATBEAT 29 [EE THROATLINE 04A_ s Bo [aerees SCAPE 07
THROATUNE MS 4 SCAPE 08
THROATLINE 05A By] KNo@ 05a SCAPE 09
THROATBEATSI THROATLINE 050 — To =


TWROATBEAT 32 THROATLINE 06 a SCAPE 1)
THROATLINE 07 id s0| SCAPE 12


FEEDBACK 0} FEEDBACK 13
FEEDBACK 02 FEEDBACK 14
FEEDBACK 03 FEEDBACK 15
FEEDBACK 04 FEEDBACK 16

IFEEDOACKOS FEEDBACK 17

E : FEEDBACK 18


FEEDBACK 06

FEEDBACK 07 FEEDBACK 19
FEEDBACK 08 SQUEAL
FEEDBACK 09 B] SQUEAL
FEEDBACK 10 SQUEAL
FEEDBACK 11 SOUEAL
FEEDBACK 12 SQUEAL


Olzlz]=/> [44] z]o]o


81-52 Electra. Harmonix Noise’ - vintage Ear Bondage
oD: 53. Old School - Metal On Metal se Hits


GROUND 01


‘GROUND 02


GROUND 05
GROUND 04
GROUND 07


GROUND 08
GROUND 07


NET KICK


EAR CANDY 13


EAR CANDY 02


EAR CANDY 14


EAR CANDY 03


EAR CANDY 15


EAR CANDY 05


EAR CANDY 16


EAR CANDY 17


EAR CANDY 06
EAR CANDY 07


EAR CANDY 08


EAR CANDY 18


EAR CANDY 20


EAR CANDY 09
EAR CANDY 10


EAR CANDY 21
EAR CANDY 22


EAR CANDY |


EAR CANDY 23


EAR CANDY 12


Ana. Kick. 2
COARSE KICK


EAR CANDY 24


CHUNK Ot


Be eety § Klicks


KLICK Ot


‘GOTH KICK


WOOD KICK


LOW KICK
600 KICK
CHOP KICK


DROP KICK


SUB KICK


CHUNK 02


KLICK 02


CLANG KICK
HOLLOW KICK


=l=|=l= 8


=I


CHUNK 03


CHUNK 04


CHUNK 05


KLICK 05


DIST KICK —
CHUNK KICK
OFT KICK


UGHT KICK


FIESE


CHUNK 06


CHUNK 07


CHUNK 0?


TAP KICK


CHUNK 10


SIDE KICK


CHUNK 11


STOP KICK


CHUNK 12


84 Misc. Drumb. Sounds - single Hits on the
» .§3772-§,A.S.Sounds
« ~ 7 + as aes sey
Mixed Pere 2 Vly 61
PERCUSSIVE 01 PERCUSSIVE 13 PERCUSSIVE 25
PERCUSSIVE 02 _ PERCUSSIVE 14 PERCUSSIVE 26
PERCUSSIVE 03


PERCUSSIVE 17 PERCUSSIVE 29
PERCUSSIVE 04 PERCUSSIVE 16 PERCUSSIVE 30
PERCUSSIVE 07 PERCUSSIVE 19 PERCUSSIVE 31
PERCUSSIVE 08 BI PERCUSSIVE 20 _| PERCUSSIVE 32
PERCUSSIVE 09 PERCUSSIVE 21 PERCUSSIVE 33
PERCUSSIVE 10 PERCUSSIVE 22 PERCUSSIVE 34
PERCUSSIVE 11 PERCUSSIVE 23 PERCUSSIVE 35


PERCUSSIVE 12 Ey PERCUSSIVE 24 PERCUSSIVE 35


UE
Lal
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ML
m7
™
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THIN ANA 01 THRONE BASS
Sr ma leoaea tas
GOOSE FLAB THIN ANA 03 “By overtone bass
RIM TICK THIN ANA 04, DOMEBASS
nina iar ty acount =e

RIP HIT 02 UGLY ACOUSTIC 02 SUBARCTIC BASS
MOUTH SNARE oO ‘SUBSTANTIAL BAS


sty ACOUSTIC 02 SUBSTANTIAL BASS
LAND FLAM
B cox snare 02


UGLY ACOUSTIC 04 ‘SUBNORMAL BASS
Vour nit
HARSH TICK


UGLY ACOUSTIC 05 BADBASS

ACOU 7 SUBHUMAN BASS _

UGLY ACOUSTIC 07 KUICKBASS

ROOTS RIM LY ACOUSTIC 08 RISING SUB


UGLY ACOUSTIC 08 RISING SUB


El=|=|=|=|=|=l=1=


4 16 Shay nee S A 5 Sounds - Single Analogue or thesizer Sotirnds


ANASOUND LONG 0} ANASOUND LONG ANASOUND LONG ANASOUND LONG 13
ANASOUND LONG 0} ‘ANASOUND LONG ‘ANASOUND LONG By ANASoUND Lone
ANASOUND LONG 01 ‘ANASOUND LONG ANASOUNO LONG ANASOUND LONG
ANASOUND LONG 02 ANASOUND LONG ANASOUNO LONG ‘ANASOUND LONG
ANASOUND LONG 02 ANASOUND LONG ANASOUND LONG ANASOUND LONG
ANASOUND LONG 02 ANASOUND LONG ANASOUND LONG 10 I ANASOUND LONG
ANASOUND LONG 03 ANASOUND LONG ANASOUND LONG ANASOUND LONG
ANASOUND LONG 03 [ANASOUND LONG ANASOUND LONG "ANASOUND LONG
ANASOUND LONG 03 'ANASOUNO LONG ANASOUND LONG By ANASOUND LONG
ANASOUND LONG 04 ANASOUNO LONG ANASOUND LONG ANASOUND LONG
ANASOUND LONG 04 ANASOUND LONG ANASOUNO LONG

ANASOUND LONG 06 ANASOUND LONG ANASOUND LONG


P q :
Ana. Short] “EAS Ana. Short 2 Ana. Short 3

ANASOUND SHORT 01 ANASOUND SHORT 05 ANASOUND SHORT 11

ANASOUND SHORT 01 ANASOUND SHORT 05 ANASOUND SHORT 11

ANASOUNO SHORT 01 "ANASOUND SHORT 06 ANASOUND SHORT 12

ANASOUND SHORT 02 ‘ANASOUND SHORT 06 ANASOUND SHORT 12

ANASOUNO SHORT 02 ANASOUND SHORT 07 ANASOUND SHORT 13

ANASOUND SHORT 02 ‘ANASOUNO SHORT 07 ANASOUND SHORT 13

ANASOUND SHORT 03 ANASOUND SHORT 08 ‘ANASOUND SHORT 14 curo7
ANASOUND SHORT 03 ANASOUND SHORT 08 ANASOUND SHORT 14 cur oa
ANASOUND SHORTT 09 ANASOUND SHORT 09 ANASOUND SHORT 15 CUT 07

ANASOUND SHORT 04 ANASOUND SHORT 09 ANASOUND SHORT 16 curio

ANASOUND SHORT 04 ANASOUND SHORT 10 ANASOUND SHORT 17 corn
ANASOUND SHORT 0% ANASOUND SHORT 10 ANASOUND SHORT 18 curt”


=)=|=|=|=|=|=|=|=|=|=|=


78-80 Old control - - Space And Horror Vibes From 40 's And 50's Maviag,is:d
81-86 Talk the ta Ik- Spoken Word From The 40's And on s ce Ol


ji Epes

a ws ans

Shortcuts 3 sm
LFO IMPACT 0}
LFOIMPACT OZ
LFO IMPACT OS
LEO IMPACT 04
|LFO IMPACT 05
LFO IMPACT 06
LFO IMPACTO?

‘0 IMPACT 08
LFO IMPACTO?
LFOIMPACT 10
LFO IMPACT 11
| LFO IMPACT 1


ergs


tat
4
P
4


FEF =I
=== ===


Music Fx 2


| ANCIENT MUSIC F ANCIENT MUSIC FX 1 WILL BECOME
ANCIENT MUSIC ANCIENT MUSIC FX_| TWILL RULE


ANCIENT MUSIC FX ANCIENT MUSIC FX_| A CREATURE


NC u' Ca ANCIENT MUSIC FX_ DESTROY
ANCIENT MUSIC FX ‘ANCIENT MUSIC FX_| ASADIST _
ANCIENT MUSIC FX ANCIENT MUSIC FX EQUAL An SURPASS
ANCIENT MUSIC FX ANCIENT MUSIC FX_ COvERWELM AND DESTROY
ANC r ANCIENT MUSIC FX HOCKING

B] ANCIENT MUSIC FX_[E ANCIENT MUSIC FX_ IMPERVIOUS


ANCIENT MUSIC FX ANCIENT MUSIC FX_ CRINGING TERROR


ANCIENT MUSIC FX ANCIENT MUSIC FX Now
ANCIENT MUSIC FX ANCIENT MUSIC FX


ANCIENT NOISE FX


ANCIENT NOISE FX
ANCIENT NOISE FX_|


== l=l=l=|= =


=l=|=l=|=


81-86 Talk the Talk - Spoken word from the 40’s and 50's


TURNING ON
UNREAL
THE MYSTERIOUS _


PURE INTELLECT


ABSTRI


Sleaze and Cheese ;


ALLOBSESSED
| BEHOLD


THROBBING


GC


=l=/=l=l=


URSTING THE SURFACE


"HAVE WE SEEN?
WHAT LIES AHEAD _|
ONLY YoU


FIND STRENGTH


TOO MUCH


=== l= |=


WITH TOUR TRIP
WORLD OF DARKNESS


THE HUMANOIDS


iM |
M


=/=|=|=/=|=|


WHERE YOU WANNA BE


THE VOI
WELL BELL

HELL BELL 02
GEIGERVIBE


COME BACK


OUT THERE


SPACEFLAB


LOTEK IMPACT 02


iy BLAST OFF


LO TEK IMPACT 03


] GRINDER


STOPPER
THE LEVER
POWEROFF |


CLANG HIT
CLONK HIT


=l=|=|=|=