[PDF]Ancient India

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ANCIENT INDIA


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BENCHMARK
NEW YORK Î


— For MEN Chris Schomp—


The author would like to thank George M. Williams, Professor Emeritus,
Historian of Religion in India, California State University, Chico, for his
valuable comments and careful reading of the manuscript.


Benchmark Books Marshall Cavendish 99 White Plains Road Tarrytown, New York 10591
www.marshallcavendish.com Text copyright © 2010 by Marshall Cavendish Corporation

All rights reserved. No part of this book may be reproduced or utilized in any form or by any means elec-
tronic or mechanical, including photocopying, recording, or by any information storage and retrieval system,
without permission from the copyright holders. All Internet sites were available and accurate when this book
was sent to press. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA: Schomp, Virginia.
Ancient India / by Virginia Schomp. p. cm. — (Myths of the world) Summary: “A retelling of several impor-
tant ancient Indian myths, with background information describing the history, geography, belief systems,
and customs of the people of India”—Provided by the publisher. Includes bibliographical references and
index. ISBN 978-0-7614-4640-8 1. Mythology, Hindu. 2. Buddhist mythology. I. Title. BL1216.537 2009
294.5'13—dc22 2008034952


EDITOR: Joyce Stanton ART DIRECTOR: Anahid Hamparian
PUBLISHER: Michelle Bisson SERIES DESIGNER: Michael Nelson
PHOTO RESEARCH : Rose Corbett Gordon MAP: Mike Reagan


Images provided by Rose Corbett Gordon, Art Editor of Mystic CT, from the following sources:

Pages 1, 46, 84: Werner Forman/Art Resource, NY; pages 2-3, 22, 58: Private Collection/Bridgeman Art Library;
page 6: Frédéric Soltan/Corbis; page 7: The Art Archive/Private Collection/Eileen Tweedy; pages 8, 28-29: The
Art Archive/Wat Phra Keo, Royal Palace, Bangkok/Francoise Cazanava; pages 10-11: The Pierpont Morgan
Library/Art Resource, NY; page 12: Victoria & Albert Museum/Bridgeman Art Library; page 15: National Army
Museum, London/Bridgeman Art Library; page 17: Scala/Art Resource, NY; pages 18, 21: Bridgeman Art
Library; page 19: The Art Archive/Musée Guimet Paris/Gianni Dagli Orti; page 24: The British Library/Topham-
HIP/The Image Works; pages 25, 44: The Art Archive/Victoria & Albert Museum/Sally Chappell; page 27:
Balawaste, National Museum of India, New Delhi/Bridgeman Art Library; pages 30, 32: Freud Museum,
London/Bridgeman Art Library; pages 33, 60, 64: Victoria & Albert Museum/Art Resource, NY; page 34: The
Art Archive/British Library; page 35: Artmedia/Heritage-Images/The Image Works; pages 36, 38: Chandigarh
Museum, Punjab/Bridgeman Art Library; page 39: Private Collection, Archives Charmet/Bridgeman Art Library;
page 40: Francis G. Mayer/Corbis; page 41: Angelo Hornak/Corbis; page 43: Stapleton Collection/Corbis; pages
47, 49, 89: Dinodia/The Image Works; pages 50, 69, 74: Mary Evans Picture Library/The Image Works; pages
52, 62: The Metropolitan Museum of Art/Art Resource, NY; page 53: Topham/The Image Works; page 55: OThe
British Library Board; pages 56, 89: World History/Topham/The Image Works; page 65: Baroda Museum,
Gujaret/Bridgeman Art Library; page 66: Museum of Fine Arts, Boston/Bridgeman Art Library; pages 68, 73:
Brooklyn Museum/Corbis; page 70: The Art Archive/Victoria & Albert Museum/Eileen Tweedy; pages 76, 78, 88:
DPA/SSK/The Image Works; page 79: Stapleton Collection/Bridgeman Art Library; page 82 top: The LuEsther T.
Mertz Library, NYBG/Art Resource, NY; page 82 bottom: HIP/Art Resource, NY


Printed in Malaysia
135642


Front cover: A priest transcribes one of the sacred texts of India’s oldest and most
enduring faiths, Hinduism.

Half-title page: One of the fearsome demons of Indian mythology

Title page: Vishnu reclines on a serpent, with his divine wife Lakshmi at his feet.

Back cover: Agni, the two-headed god of fire, rides on a ram.


CONTENTS


THE MAGIC of MYTHS 6


Part 7

MEET THE ANCIENT INDIANS

A SACRED LAND 13
A LONG AND GLORIOUS HISTORY 16
THE GROWTH OF HINDUISM 20
THE HINDU GODS AND GODDESSES 22

HINDU BELIEFS AND THE CASTE SYSTEM 23

THE IDEAL PATH 26


Beart aa
TIMELESS TALES OF ANCIENT INDIA
THE ORIGINS OF THE WORLD: rahma Emerges from the Lotus Flower 31
THE FIFTH INCARNATION OF VISHNU: amana and the Shree Steps 37
THE SEVENTH INCARNATION OF VISHNU: Jhe Ramayana 45
FACES OF THE GREAT GODDESS: Durga Says the Buffalo Demon 59
THE REMOVER OF OBSTACLES: How Ganesha Got His Elephant Head 67


STORIES OF THE BUDDHA: fataka Jales 77


GLOSSARY 87
SOURCES OF THE MYTHS 88
TO FIND OUT MORE 90
SELECTED BIBLIOGRAPHY 91
NOTES ON QUOTATIONS 92


INDEX 93


THE MAGIC of MYTHS


EVERY ANCIENT CULTURE HAD ITS MYTHS.
These timeless tales of gods and heroes give us a window into the
beliefs, values, and practices of people who lived long ago. They can
make us think about the BIG QUESTIONS that have confronted
humankind down through the ages: questions about human nature,
the meaning of life, and what happens after death. On top of all that,
myths are simply great stories that are lots of fun to read.

What makes a story a myth? Unlike a narrative written by a partic-


ular author, a myth is a traditional story that has been handed down

Above: The
elephant-
headed god Nearly all myths tell the deeds of gods, goddesses, and other divine


Ganesha is


from generation to generation, first orally and later in written form.


beings. These age-old tales were once widely accepted as true and
worshipped


asaremover Sacred, Their primary purpose was to explain the mysteries of life and


of obstacles. the origins of a society's customs, institutions, and religious rituals.


6 | ANCIENT INDIA


It is sometimes hard to tell the difference between a myth and a
heroic legend. Both myths and legends are traditional stories that may
include extraordinary elements such as gods, spirits, magic, and mon-
sters. Both may be partly based on real events in the distant past.
However, the main characters in legends are usually mortals rather
than divine beings. Another key difference is that legends are basically
exciting action stories, while myths almost always express deeper
meanings or truths.

Mythology (the whole collection of myths belonging to a society)
played an important role in ancient cultures. In very early times, peo-
ple created myths to explain the awe-inspiring, uncontrollable forces


of nature, such as thunder, lightning, darkness, drought, and death.


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Krishna (the
blue god at
the left)
prepares to
battle a giant
serpent.


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200


Hanuman the
monkey god
speaks with
Rama, the
blue-skinned
prince who is
a form of the
great god
Vishnu.


Even after science began to develop more rational explanations for


these mysteries, myths continued to provide comforting answers to
the many questions that could never be fully resolved. People of nearly
all cultures have asked the same basic questions about the world
around them. That is why myths from different times and places can
be surprisingly similar. For example, the peoples of nearly every
ancient culture told stories about the creation of the world, the origins
of gods and humans, the cycles of nature, and the afterlife.
Mythology also served ancient cultures as instruction, inspiration,
and entertainment. Traditional tales offered a way for the people of a
society to express their fundamental beliefs and values and pass them
down to future generations. The tales helped preserve memories of a
civilization's past glories and held up examples of ideal human quali-


ties and conduct. Finally, these imaginative stories provided enjoy-


ment to countless listeners and readers in ancient times, just as they
do today.

The MYTHS OF THE WORLD series explores the mythology of some
of history's greatest civilizations. Each book opens with a brief look at
the culture that created the myths, including its geographical setting,
political history, government, society, and religious beliefs. Next
comes the fun part: the stories themselves. We have based our
retellings of the myths on a variety of traditional sources. The new ver-
sions are fun and easy to read. At the same time, we have strived to
remain true to the spirit of the ancient tales, preserving their magic,
their mystery, and the special ways of speech and avenues of thought
that made each culture unique.

As you read the myths, you will come across sidebars (text boxes)
highlighting topics related to each story's characters or themes. The
sidebars in Ancient India include quoted passages from ancient hymns,
poems, and narratives. The sources for the excerpts are explained in
the Notes on Quotations on page 92. You will find lots of other useful
material at the back of the book as well, including information on
India’s sacred texts, a glossary of difficult terms, suggestions for fur-
ther reading, and more. Finally, the stories are illustrated with both
ancient and modern paintings, sculptures, and other works of art
inspired by mythology. These images can help us better understand
the spirit of the myths and the way a society’s traditional tales have
influenced other cultures through the ages.

Now it is time to begin our adventures in ancient India. We hope
that you will enjoy this journey to a land of mysterious gods and god-
desses, powerful demons, and noble heroes and heroines. Most of all,
we hope that the sampling of stories and art in this book will inspire


you to further explorations of the magical world of mythology.


THE MAGIC of MYTHS | 9


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6


A SACRED LAND


DIA SITS ON A PENINSULA SO LARGE THAT IT IS KNOWN
as a subcontinent. The southern part of this enormous landmass juts
out into the Indian Ocean. The northern part is separated from the
rest of Asia by the Himalayan Mountains. The Himalayas are the
world’s tallest mountain range. Since ancient times the people of India
have revered these snowcapped peaks as the dwelling place of gods. In
“How Ganesha Got His Elephant Head” (page 67), we will meet the
divine daughter of the Himalayas, Parvati.

The Himalayas are just one of India’s nine major mountain
ranges. The vast subcontinent also holds a great variety of other land-
scapes. There are wooded hills, dry plateaus, arid deserts, tropical rain
forests, and narrow strips of lush green coastland. A number of rivers
flow through this varied terrain. The Indus River, in the northwest,
gave India its name. In ancient times the fertile plain of the Indus was


home to the region’s earliest known civilization. To the east is the


A SACRED LAND | 15


Opposite: A
princess and o
her attendants
relax beside

one of India's
sacred rivers. ¢


Previous

page: Indra, ۵
supreme god

of the early
Indians, rides

in style on his
divine white
elephant.


ARABIAN
SEA


BAY OF BENGAL


Ganges, India’s holiest river. The Sarasvati River was an important


waterway in early times, but it has since dried up. Each of these sacred
rivers is associated with a goddess or god. So are thousands of other
rivers, lakes, and pools. Today the people of India still come to their
holy waters—especially the Ganges River—to sing, pray, and ask for
the blessings of the special deities who preside there.

India has a long dry season, usually stretching from October
to May. During the summer, monsoon winds bring moisture from
the Indian Ocean, dumping heavy rains that can last for months.
The monsoons often cause devastating floods and landslides. At the
same time, farmers depend on the life-giving rains to bring water to
their crops. Ancient histories recall years when the monsoons failed,
leading to drought and starvation. According to mythology,
droughts occurred when the gods were angry or dreadful demons


captured the waters.


A SACRED LAND 75


The snowcapped
Himalayas rise
from the banks
of the Ganges
River in northern
India.


A LONG AND
GLORIOUS HISTORY


DIA WAS HOME TO ONE OF THE WORLD'S EARLIEST
civilizations. The Indus Valley civilization began nearly five thousand
years ago in northern India and parts of present-day Pakistan and
Afghanistan. The people of this highly advanced culture raised crops
and livestock in the fertile plains of the Indus and Sarasvati rivers.
They created beautiful pottery, jewelry, and stone and metal sculp-
tures. They built splendid walled cities, including Harappa and
Mohenjo Daro. Archaeologists exploring the Indus Valley cities have
uncovered the ruins of paved streets, massive brick buildings, and a
sophisticated system of baths, toilets, and sewers. They have also
found clay seals carved with an ancient form of writing that has never
been deciphered.

Around 1700 BcE the Indus Valley civilization faded. Some histori-
ans think that natural forces such as earthquakes, floods, and droughts


may have driven settlers from their homes. Many people moved east-


16 | ANCIENT INDIA


ward, to the fertile valley of the Ganges River. ¿de
There a new civilization emerged, dominated by ‘ :
the Aryans. Most modern-day scholars believe |
that the Aryans were nomads from central Asia |
who crossed the Himalayas to settle in northern
India. These people brought the ancient beliefs,
practices, and stories that would develop
into India’s dominant religion,
Hinduism. The first Hindu scriptures
were the Vedas, a collection of prayers
and hymns written in Sanskrit, the
language of the Aryans. The period
of Indian history from about 1500 to
500 BCE is often called the Vedic
period after these sacred texts.
Following the end of the Vedic period,
two great empires rose and fell in India.
A warrior-king named Chandragupta
Maurya carved out the first empire in
northern and central India around 332 BCE. Chandragupta’s grandson This four-
Asoka brought nearly the entire subcontinent under Mauryan rule. thousand-year-old


: ; statue of a man
After completing his conquests, Asoka renounced warfare and con-


was discovered
verted to Buddhism. Compared to Hinduism, Buddhism was a young in the ruins of
Mohenjo Daro,


one of the great


cities of the
Indus Valley


Many his


civilization.


7 LONG AND GLORIOUS HISTORY | 77


Disciples of the
Buddha, founder
of the Buddhist
religion, crowd
the walls of an
ancient cave
temple in
central India.


Indian prince Siddhartha Gautama,
known as the Buddha, or “Enlightened
One.” Asoka helped spread the
Buddhist ideals of nonviolence and
charity throughout much of central Asia.

After Asoka’s death the Mauryan


Empire declined. Centuries of foreign


invasions and internal divisions followed.
Then, in the early fourth century CE,
Chandra Gupta I* founded ancient India’s
second mighty empire. Under the Gupta
Empire, India enjoyed a golden age of peace
and prosperity. Art, literature, mathematics, and science flourished.
Several different religions, including Buddhism and Jainism, thrived
alongside Hinduism.

By the late fifth century invasions and rebellions had weakened the
Gupta Empire. Around 550 CE India divided into a mosaic of smaller
kingdoms. Over the centuries that followed, large areas of the sub-
continent would be dominated by a series of foreign conquerors.
India’s culture would embrace ideas from many different peoples. At
the same time, beliefs and practices reaching back to the dawn of


Indian history would remain a vital part of everyday life.


* The names of ancient India’s kings and empires can be confusing. It may help
to remember that Chandragupta, the name of the founder of the Mauryan
Empire, is written as one word, while Gupta is usually a separate word in the
names of the kings of the Gupta Empire.


«A LONG AND GLORIOUS HISTORY 79


The Buddha
offered his
followers a path
to peace and
enlightenment.


THE GROWTH
of HINDUISM


NT INDIA WAS THE BIRTHPLACE OF SEVERAL OF THE
orld’s/major religions. The religion that played the greatest role in
shaping Indian society was Hinduism. Today more than 800 million
people in India and other lands still practice this enduring faith.
Hinduism had no single founder. Instead, it was born out of a
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